text

text :: electronic text :: image

Essays

<> What are you rebelling against?
<>
Reading Technology: Curling up with a good information appliance
<> Writing the Wave: nodes, hypertext, trajectories
<> Fragments of faith: helping yourself to do-it-yourself religion
<> Changing, wishing, writing: Potentials for arts journalism in Australia
<> Women Write Risk: cyberfeminism and hypertext
<>
[R] is for Regulation: censorship in the age of technology
<> Writing Community Virtuality
<>
Extended Bodies: Collaborative Efforts in Cyberspace
<>
Virtual Encounters: Community or Collaboration on the Internet?
<> Paying for the Privilege

Papers & Transcripts

<> Interaction: New Media & Artists Books
<>
electrofringe 2003
<>
Critical Discourse in Brisbane - Where is it now?
<>
The end of the word as we know it
<> Hypertext: from reading to writing

Reviews

Online
<> TypeSlowly

Books
<> Writing Machines: N. Katherine Hayles
<> BORDERPANIC Reader
<> reload: rethinking women and cyberculture edited by Mary Flanagan and Austin Booth

<> Heterostrophic: Art Writing/Writing Art
<> Arcadia: Writings on Theology and Technology by Australian Network for Art and Technology
<> Moral Tales and Meditations by Michael Joyce
<> Othermindedness: The Emergence of Network Culture by Michael Joyce
<> Politics of a Digital Present by Fibreculture
<> Parallax by Darren Tofts

Events & Exhibitions
<> No Shades of White: Fiona Foley
<> electrofringe 2003
<> Temporal Intervals: Trish Adams
<> Dyson Industries
<> Asia Pacific Triennial 2002
<> LxWxD: contemporary dimensions of the box
<> Writing the Brisbane Powerhouse: Lisa Anderson and Arterial
<> Reading Room: Artists Books
<> Alchemy_Under_Construction
<> Stop! Reflect!: Asia Pacific Triennial
<> Colussus: Rod Bunter & Ben Frost
<> Fuzzy Logic Toystore
<> ahistoryofreading + 1000 Accidents: Richard Grayson
<> Odyssey: Suzi Triester and Luke Roberts

Monograph & Catalogue Essays

<> Other[wize]: Jenny Fraser
<>
Murri All Stars: Jenny Fraser
<> Open Hearted, Open Handed, Open Minded: Campfire Group
<>
her.e@there.grrrl.go
<> on the tropic of Capricorn: Walala Tjapaltjarri
<> Tender Mercies: Franz Ehmann
<> Floccus: Sebastian DiMauro
<> Krystal Clear: Di Ball
<> cowgrrls.com

Curatorial Essays

<> Topographies
<> Chew
<> Skimming the Surface

 

Other Writings

<> Strictly Under No Obligation
an online adaption of a work, utilising electronic road signs, commissioned for Time of the Signs, Livid 2000. Curated by Craig Walsh.

<> Ten Red Lanterns
included in an exhibition catalogue for Mandy Ridley. A response to her Red Dragon for the exhibition, Chinatown Souvenirs (on not knowing).